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"Bemérve a mérhetetlen" : 100 éve született Gyarmathy Tihamér : [Modern Magyar Képtár, Pécs

"Bemérve a mérhetetlen" : 100 éve született Gyarmathy Tihamér : [Modern Magyar Képtár, Pécs . Magyar Művészeti Akadémia, Budapest, 2016, 173 oldal
ISBN: 978 963 9873 40 7

Gyarmathy Tihamér (Pécs, 1915. március 8 – Budapest, 2005. január 9.) a XX. századi magyar nonfiguratív festészet 1940-es években fellépő derékhadának egyik legfiatalabbja, majd az új évezredre már egyik utolsó élő klasszikusa. Martyn Ferenccel együtt tagja volt az Európai Iskola néven 1945-ben szerveződő modern művészeti csoportosulásnak, alapítója az abból kivált Elvont Művészek Csoportjának, résztvevője a Réalités Nouvelles 1947-ben, Párizsban megrendezett első nemzetközi kiállításának...

Art versus nonart / Tsion Avital

Tsion Avital: Art versus nonart. Cambridge University Press, Cambridge, 2010, 445 oldal
ISBN: 978 0 521 82465 1

In Art versus Nonart, Tsion Avital poses the question: 'Is modern art art at all?' He argues that much, if not all, of the nonrepresentational art produced in the twentieth century was not art, but rather the debris of the visual tradition it replaced. Modern art has thrived on the total confusion between art and pseudo-art and the inability of many to distinguish between them. As Avital demonstrates, modern art has served as a critical intermediate stage between art of the past and the future. This book, first published in 2003, proposes a distinct way to define art, anchoring the nature of art in the nature of the mind, solving a major problem of art and aesthetics for which no solution has yet been provided. The definition of art proposed in this book paves the way for a fresh and promising paradigm for future art. Read more at http://www.cambridge.org/hu/academic/subjects/arts-theatre-culture/western-art/art-versus-nonart-art-out-mind#wrAQjX6LCf2MKLKb.99

Information Arts / Stephen Wilson

Stephen Wilson: Information Arts. London, MIT Press, 2003, 945 oldal
ISBN: 978 0 262 73158 4

A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture...

Creative spirituality : the way of the artist / Robert Wuthnow

Robert Wuthnow: Creative spirituality : the way of the artist. University of California Press, Berkeley, 2001, 309 oldal
ISBN: 978 0 520 23916 6

Wuthnow (After Heaven; The Restructuring of American Religion; etc.) and his associates interviewed 100 successful artists who are interested in spirituality, offering many of their stories in this topically organized book. Ceramicists, painters, dancers, sculptors, musicians and writers talked to interviewers about their spiritual journeys, their professional lives and the way the two have informed each other, often to the point of becoming indistinguishable. While each artist's story is unique, many common themes emerge: often dealing with family trauma, these artists were spiritually curious children who asked tough questions and emerged as adults who found solace through a series of spiritual practices, romantic relationships and artistic pursuits. Compelling in some respects, these biographies are unfortunately pervaded by narcissism. In particular, several of the artists Wuthnow features have lived nomadically with children in tow, often separating them from the other parent. Wuthnow anticipates that his subjects will be perceived as self-absorbed spiritual dabblers, and takes pains on several occasions to argue that they are not. He does a fine job of finding common themes in these narratives, particularly many interviewees' appreciation of mystery and ineffability, and admiringly calls artists the spiritual leaders of our time. Artistically minded readers will likely agree with this assertion, and discover in these pages a vibrant perspective on spirituality and the meaning of contemporary life.

Aesthetics and the philosophy of art : the analytic tradition : an anthology / edited by Peter Lamarque and Stein Haugom Olsen

Aesthetics and the philosophy of art : the analytic tradition : an anthology. Blackwell, Malden, MA, 2004, 571 oldal
ISBN: 978 1 405 10581 1

This anthology provides comprehensive coverage of the major contributions of analytic philosophy to aesthetics and the philosophy of art, from the earliest beginnings in the 1950’s to the present time. Traces the contributions of the analytic tradition to aesthetics and the philosophy of art, from the 1950’s to the present time. Designed as a comprehensive guide to the field, it presents the most often-cited papers that students and researchers encounter. Addresses a wide range of topics, including identifying art, ontology, intention and interpretation, values of art, aesthetic properties, fictionality, and the aesthetics of nature. Explores particular art forms, including pictorial art, literature, music, and the popular arts.

Aesthetics and the philosophy of art : the analytic tradition : an anthology / edited by Peter Lamarque and Stein Haugom Olsen

Aesthetics and the philosophy of art : the analytic tradition : an anthology. Blackwell, Malden, MA, 2004, 571 oldal
ISBN: 978 1 405 10581 1

This anthology provides comprehensive coverage of the major contributions of analytic philosophy to aesthetics and the philosophy of art, from the earliest beginnings in the 1950’s to the present time. Traces the contributions of the analytic tradition to aesthetics and the philosophy of art, from the 1950’s to the present time. Designed as a comprehensive guide to the field, it presents the most often-cited papers that students and researchers encounter. Addresses a wide range of topics, including identifying art, ontology, intention and interpretation, values of art, aesthetic properties, fictionality, and the aesthetics of nature. Explores particular art forms, including pictorial art, literature, music, and the popular arts.

An outline of European architecture / Nikolaus Pevsner

Nikolaus Pevsner: An outline of European architecture. Gibbs Smith, Layton, 2009, 256 oldal
ISBN: 978 1 4236 0493 8

One of the most widely read books on European architecture; Nikolaus Pevsner's landmark work was first published in 1942. Through several revisions and updates during Pevsner's lifetime, it continued to be a seminal essay on the subject, and even after his death, it remains as stimulating as it was back in the mid-twentieth century.

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Neo-avant-garde trends in Hungarian art photography, 1965-1984 / Sándor Szilágyi

Sándor Szilágyi: Neo-avant-garde trends in Hungarian art photography, 1965-1984. Art + Text Budapest, Budapest, 2017, 377 oldal
ISBN: 978-963-12-8293-1 – Fordította: Claris, Christopher

This spring a book by Sándor Szilágyi, Neo-avant-garde Trends in Hungarian Art Photography, 1965-1984 has been published with the support of Art+Text Budapest. The book, like its Hungarian version published in 2007, presents some 400 works of art by 32 Hungarian artists of the 1960s, 1970s and the early 1980s. It undertakes to collect the greatest photographers of this vibrant and fruitful era from Géza Perneczky to Tibor Hajas and János Vető. Among the presented artists we can find photographers who refused the anachronistic aesthetics of the official photography, and artists who used the camera accepting the conceptual approach of the period.

Unmonumental : the object in the 21st century

Unmonumental : the object in the 21st century. Phaidon Press, London, 2011, 215 oldal
ISBN: 978-0-7148-6310-8

Selected by the curatorial team at the New Museum of Contemporary Art in New York, the work in Unmonumental includes some of the most energetic and provocative sculpture being made today. Most of the work has never before been published before. Artists include Alexandra Bircken, John Bock, Martin Boyce, Tobias Buche, Carlos Bunga, Tom Burr, Abraham Cruzvillegas, Sam Durant, Urs Fischer, Isa Genzken, Rachel Harrison to name a few. Unmonumental also features groundbreaking essays by Richard Flood, Laura Hoptman, Massimiliano Gioni and Trevor Smith. Unmonumental also features a photo essay by Benjamin Godsill and an extensive historical glossary by Eva Diaz. Extensively illustrated Unmonumental is a first look at the future of the art object and essential reading for anyone interested in the art of our times.

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